ADVANCED PRODUCTION
STEP 2: ADVANCED PRODUCTION POOL- Click on the course number of each class that you wish to apply for to generat a downloadable .pdf file application
- Print and fill out an application for each course you wish to apply for
- CLICK HERE to download a Choice Form
- Print out and fill in the Choice Form
- Staple each appliction and corresponding materials (if requested) together
- Bundle all of your applications and the Choice Form together with a paper clip (DO NOT STAPLE)
- Completed applications and a Choice Form are due to FA 422 by MONDAY, DECEMBER 3rd, 5:00pm
Advanced
Production Cinema Classes
Spring 2008
Spring 2008
| Course | Title | Day/Time | Faculty |
|---|---|---|---|
| CINE 423 | Intro Digital Filmmaking | Thurs 9-4 DTC | TBA |
| Covers the aesthetics and production techniques of filmmaking using ditital tools and processes. | |||
| CINE 510 | Directing | Wed 1-7 | Goldner |
| Covers the function of the Director, the manipulation of space and time, problems of continuity, script planning and blocking, handling crew. This class is a laboratory. | |||
| CINE 512 | Sound for Film | Fri 9-4 | Holmes |
| Laboratory in aesthetics of field and studio recording. Practice in sync recording, sound effects, narration and foley production. Preparation of tracks and post-production manipulation of sound across film genres. | |||
| CINE 520 |
Proj Post Prod Sound |
Wed 9-4 DTC |
Jackson |
| Covers the preparation and editing of multiple sound tracks, recording and mixing of sound using studio recordings consoles, and the evaluation of sound/picture relationships. | |||
| CINE 522 | Editing | Fri 9-4 DTC | Aginsky |
| This course covers the aesthetics and practice of digital video editing using Final Cut Pro. | |||
| CINE 524 | Digital Sound for Film | Thurs 2-5 | Jackson |
| This is a lecture class covering the design, production and analysis of sound for cinema using computer-based technologies. | |||
| CINE 525.1 | Cinematography | Mon 1-7 | Zhang |
| Covers the skills and aesthetics of cinematography and lighting. | |||
| CINE 525.2 | Cinematography | Tues 4-10 | Clark |
| Covers the skills and aesthetics of cinematography and lighting. | |||
| CINE 526 | Optical Printing | Thurs 9-12 | Holmes |
| Covers Optical Printing for Motion Pictures and other experimental techniques. | |||
| CINE 555 | Writing & Performance: Film & Theatre | Thurs 9-4 | Rea |
| This course will be taught collaboratively with the Theatre Arts Department. Cinema students will practice the skills and techniques of working with actors in a workshop environment. | |||
| CINE 623 | Exploration in Cinema as On-Line Medium | Fri 9-4 | Millsapps |
| This class covers conceptualization, programming, production and presentation of cinema on the internet, using digital tools and processing. | |||
| CINE 630 | Experimental Documentary | Mon 1-5 | Snider |
| This course will provide an historical context of experimental documentary and will act as a production workshop for non-fiction experimental work. | |||
| CINE 651 | Experimental Animation | Wed 9-12 | Gorzycki |
| A seminar examining experimental animation structures, styles, and techniques. Students will explore hands-on techniques within their own creative projects. | |||
